Manipuri Dance : Both Ritualistic and Recreational

Manipuri is one of the six classical dance styles of India, the others being Bharata-natyam, Kathak, Kathakali, Kuchipudi, and Orissi. It is indigenous to Manipur, the north-eastern state of India and the indigenous people of this valley were said to be the dance-expert Gandharva's, mentioned in the epic Ramayana, Mahabharata and other religious scriptures.
Manipuri dance is purely religious and its aim is a spiritual experience. Development of music and dance has through religious festivals and daily activities of the Manipuri people. Not only is dance a medium of worship and enjoyment, a door to the divine, but indispensable for all socio-cultural ceremonies. From the religious point of view and from the artistic angle of vision, Manipuri Classical Form of dance is claimed to be one on the most chestiest, modest, softest and mildest but the most meaningful dances of the world.
The most obliging aspect of Manipuri culture is that, it has retained the ancient ritual based dances and folk dances along with the later developed classical Manipuri dance style. Among the classical categories, 'Ras Leela' - a highly evolved dance drama, choreographed on 'Vaishnavite Padavalis' composed by mainly eminent Bengali poets and some Manipuri Gurus, is the highest expression of artistic genius, devotion and excellence of the Manipuris.

History Of Manipuri Dance
It is stated that the indigenous people of the valley were the Gandharva's mentions in the Ramayana and Mahabharata. The dance patterns in Manipur may have a link with the Gandharva's Culture - which is mythological believed to excel over all other dance forms... Details
The Gandharva Culture of MahabharataManipuri dance - as the name suggests, originated in Manipur, the north-eastern state of India - a paradise on earth when the nature has been extra generous in her beauty. Love of art and beauty is inherent in the people of this land from time immemorial. The people of Manipur are well-known for their high cultural sense.... Details
Vedic-Aryan elementsThe history of Manipur says that different clans of the Indo-Vedic and Mongoloid people lived side by side in Manipur for centuries. Now it assembled in her the major folks of the east and the west - the Meiteis and the Bishnupriya Manipuris [Note 1.2]. Orthodox Bishnupriya Manipuris consider themselves to be the genuine Vedic decent, who according to them, came to Manipur valley from... Details
Pre-Vaishnavite ElementsAs mentioned in the Meitei sacred scriptures and texts, a most comprehensive dance form popularly known as Lai-haraoba mirrors the pre-vaishnavite culture and other types of solo, duet, group, etc., within its body. Lai-Haraoba, the Merry Festival of the Deities... Details
A Remarkable Example of Cross-Cultural HistoryThe people of Manipur and Bengal provide a most interesting example of cultural and aesthetic fusion. The story begins in the 15th century when religious developments from Bangladesh reached Manipur. By the mid-seventeenth century a full repertoire of songs and dances of Bangla origin took root in Manipur... Details
Contribution of Rabindranath TagoreRabindranath Tagore, the world poet, was a great patron of the Manipuri dance and culture. He also deserves a honorable place in the style and regarded as the " pioneer of Manipuri dance and culture". It was he who popularized the style with its high zenith among the people of the world. The world poet was fascinated with Manipuri Rasleela at Machhimpur, a Bishnupriya Manipuri locality in the modern Sylhet District in Bangladesh in 1920... Details
Ritualistic, Recreational, Religious and TemporalThe traditional Manipuri style of dancing preeminently embodies delicate, lyrical and graceful movements which enhance the audience in its beautiful and colourful costumes and presentation. The Manipuri dance whether folk, classical or modern, is devotional in nature... Details
Dance Style
The technique of Manipuri dancing is based on an interesting principle of compensatory movement with the objective of achieving rounded movements and avoiding any jerks,sharp edges or straight lines... Details
The Techniques of Manipuri Dancing
The technique of Manipuri dancing is based on an interesting principle of compensatory movement with the objective of achieving rounded movements and avoiding any jerks, sharp edges or straight lines... Details
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Feet Movement
Similarly, the feet never strike the ground with a sound on impact, as this would interfere with the delicate flow of the body movements. The knees and ankles cushion the landing so that no sound ensues... Details
Taal's and Matra's
The Taal's in Manipuri dance generally similar to those of the dance forms in north India. There is considerable number of characteristics that are not distinguishable with the Bangladesh Kirtana... Details
Mudra's (Hand Movements)The Mudra's or hand Movements in Manipuri dance are quite different from other classical dance forms. From Bhagyachandra's Govinda Sangit Leelabilas the following Mudra's are found... Details

instruments & Costumes
Musical instrumentsDances are very much based upon the cymbals (kartal or mangkang) and the cylindrical drum known as Manipuri mridang or pung. Unlike other classical, dances where the instrument is merely used as an accompaniment, the pung and the kartal (manjira) are actually used in the dance... Details
Dance CostumesThe costumes in Manipuri dance is very colorful, attractive and very richly bedecked. The female dancers wear a dress called “patloi”. The lehenga is called “Kumin” with mirrors and zari work intricately woven into beautiful designs... Details
manipuri dance forms
Rasa Leela
The Ras Lila, the epitome of Manipuri classical dance is inter-woven through the celestial and eternal love of Radha and Krishna as has been described in the Hindu scriptures and reveals the sublime and transcendental love of Krishna and Radha... Details
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Gostha Liila (Rakhual)
The "Rakhual"( sometimes called as Gusthalila ) Dance is a group dance performed by a group of boys, wearing colorful dresses and ornaments.. The theme of the dance that is described in the Mahabharata where Lord Krishna dances with his mates. Sri Krishna's game... Details
Khubak IsheiDuring the month of Aashar The Manipuris observe Rath Jatra (Drawing of car of Lord Jagannatha) on the model of Puri festival. According to Manipuri tradition every temple in every place will observe it with great supports of peoples who contributes their mite to its success. It has a 9-day program of devotional music and dances followed by the free distribution of Khichuri's, a dish made of rice and beans... Details
Khamba Thoibi
Khamba-Thoibi is duet dance which is performed either a part of Lai- Harouba or independently. This dance typically represents the Tandava and Lsya aspects of Laiharouba movements. In the Khamba -Thoibi tells the story of Khamba, a poor brave lad of khumal clan who fell in love with Thoibi, a princess of Morang... Details
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Pala Kirtana
Vaishnava Pala Kirtana using Dhak and Kartal became most popular factor in Manipuri fine arts. The dance is otherwise known as Kartal Cholom or Cymbal Dance is a characteristic of the Manipuri style of dance and music. The initial movements of this dance are soft and serene , gradually gathering momentum. It is a group performance of male partners, using cymbals and wearing snow white ball-shaped large turbans... Details
Pung Cholom
Pung Cholom ( also known as The Mridanga Dance or Dhumel or Dram dance), is a combination of sound and movement, In 1850 AD, king Chandra Keerti Singh added some compositions and was instrumental in introducing 64 pung dance or drum dances... Details
Thabol ChongbaThe most beautiful and seductive dance of the Manipuri Meitheis is Thabol Chongba. Thabol Chongba literally means moon light jump. The youth of the village flock together in hundreds... Details
Maibi Dance
During the festival of Lai-Haraoba which is an annual ritual festival of the Meitei Manipuris, the inhabitants of the valley of Manipur, the Maibis, the priestesses considered to be spiritual mediums, trace through their dances the whole concept of cosmogony of the Meitei people... Details
Other Manipuri Forms
Also different manifestations of the song, dance, and martial arts culture that is intrinsic to Manipuri people.
Holi
Holi singing during the Dol Yatra added a new chapter to the history of dance and music of manipur. The parties onsisting of singers, Drummers and instrumental musicians sing the Krishna themes in Basanta Raga... Details
UdukhalKrishna's Valya Lila and Vatsalya Ras is enacted through this dance and devotional music. Details
Basak
Basak is kind of Sangkirtan for males and females alike. The theme is derived from Basak Sajya, preparation of a seat for Sri Krishana and Sri Radhika and her maids with flowers. Details
Gouralila
Performed by boys of the age group of 8 and 10 years, representing Sri Chaitanya's lila such as meeting the Kesav Vharati, saving jogai - madhai,Touching scenes of Vishnupriya Separation etc. Details
Thang Ta
Martial arts by the Manipuri Meitheis, the dance with the use of spear and sword. Sword constitudes the body and the spear, the soul, so goes the saying of the Meitheis. Details
Nupi PalaA kind of Kirtan performd by female in sitting position with mandira's (small cymbals) in hand. Details
Dhop Kirtan
A kind of kirtan style which is devoid of movements, must be held in connection of Durga Puja, Jhulan Jatra, Mera and Kartika festival. Details
Ipom
A form of entertainment where two or three Jtra personalities take part and discuss something. Sumanglila is the most popular form. Details
Ballet And Drama
Ballet or dance drama is also a colorful part of Manipuri Culture. It is theatre and Jatra that have the honor of being the cheif cultural and artistic forms during the past few decades... Details
Tribal Dances Of Manipur

Ethnically, the hill tribes of Manipur though divided into a number of clans and sections, may be grouped into two main divisions -Naga and Kuki .These people have their distinctive Languages and cultural heritages of their own. The dances are also artistic. The noted tribal dance in Manipur are... Details
Famous Manipuri Gurus
Guru Nileshwar Mukharjee
Guru Nileshwar Mukharjee from Bangladesh and Guru Senarik Rajkumar from India are well known to Manipuri society as with them the new department of Manipuri Dance was created in the Shantiniketon in the early 30's... Details
Guru Senarik Rajkumar
The present noted Manipuri dancers of India and Bangladesh, as well as international fame are Hanjaba Guru Bipin Singha, Guru Chandrakanta Singha - Nartanachrya, Guru Nilmadhab Mukharjee, Guru Haricharan singha, Bibhaboti Devi, Kalabati Devi etc. Most of them have their dancing tours on... Details
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Guru Bipin Singha
Among the above mentioned dancers, Guru Bipin Singha ranks top. He may rightly called the " Father of Manipuri Dance and style". He was awarded with a number of the prestigious titles like Bharat Ratna,kalidas etc... Details
Famous Manipuri Artists
The present noted Manipuri dancers of India and Bangladesh, as well as international fame are Hanjaba Guru Bipin Singha, Guru Chandrakanta Singha - Nartanachrya, Guru Nilmadhab Mukharjee, Guru Haricharan singha, Bibhaboti Devi, Kalabati Devi etc... Details
Source and References
The contents of this site is compiled by the author based on the following Scriptures, Books, Research works and Publications:
- The Srimad Bhagavad Gita, translated in English by Swami Jyotirmayananda (1986).
- The Mahabharata of Vyasa, translated to Bengali by Kashiram Das
- S. K. Das / A study of vedanta, C.U. 2nd edn, 1937
- Projesh banerjee / Dance of India
- Abdus Satter / Tribal Culture in Bangladesh
- W. Ibohal Singh / The History of Manipur, Imphal 1986
- Dr M. Kirti singh / Religious developments in Manipur in the 18th and 19th century,1980
- Dr. Kirti Singh/ Religion and Culture of Manipur,1st edn,Delhi,1988
- Lila rao / Manipuri dances
- Ragini Devi / Hindu Dances
- S. Kiranaswami / Musical Instruments of India
- Faubian Bowers / The Dances of India , NY 1st edn, 1953
- Snigdha paul / Nritta-Norto-Natya
- Bidhan Sinha / Cultural Heritage of North-East India, 1999
- N. Tomba Singha / Bhakti Rasa Numbumari, Imphal,1st edn, 1969
- G.K. Ghose / Tribals and Their Culture in Manipur and Nagaland
- Raj Mohan Nath / The Background of Assamese Culture
- Singha,Mahendra Kumar / Manipurer Prachin Itihas
- Pandit Sena singha / Prachinadhunik Samkhipta Manipurer Itihas
- Gayotri Chatterjee / Bharoter Nritokola
- Goswami, O / History of indian Music, Bombay 1961
- Zavhori, Darsana / Tala Sastras of Manipur
- Sharma, Atombapu & Singh, Amubi / A Brief description of manipuri dance, 1960
- Tarun Kumar singha / Manipuri Nritya Probesika, 1968
- Nripendralal das / Sribhumi sylhete Rabindranath
- Manipuri Rasleela Udyapan Parisad, Bangladesh / Suvenir, 1996
- Ashim Kumar Singha/ Ksatrya, sylhet, 2001
- Pouri, 3rd issue, Sylhet, 1995
Disclaimer
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Manipuri Style of Dance
Dance Style
Manipuri Technique of dancing
Taala's and Matra's
Mudra's
Manipuri Instruments & Costumes
Manipuri Musical instruments
Manipuri Dance Costumes
Manipuri Dance Forms
Manipuri Rasleela
Pung Cholom
Gosthaleela(Rakhual dance)
Pala Kirtana(Sankirtana)
Khamba Thoibi
Khubak Ishei
Maibi Dance
Thabol Chongba
Other Manipuri Forms
Other Devotional Forms
Manipuri Ballet & Drama's
Tribal Dances of Manipur
Manipuri Gurus & Artists
Famous Manipuri Gurus
Guru Bipin Singha
Guru Senarik Rajkumar
Guru Nileswar Mukharjee
Famous Manipuri Artists

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